Hello, everyone! Cheers to 2017 being halfway done.
I recently started reading Saga – an amazing comic about a universe where a war between a planet and its moon has bloodied the entire galaxy. Also, there’s a precious seal named Ghüs that wears dungarees and fights crime on his days off.
I recently went to visit my partner in Bangkok and was lucky enough to visit the Ancient City museum. This is a massive, open-air exhibit that replicates historic Thai architecture, and culture. This place is honestly more gorgeous than I could ever have imagined and I absolutely recommend a visit!!!
I’ve been listening to The Adventure Zone (a D&D podcast hosted by the McElroy brothers and their dad) religiously. Mostly because I can pretend that all the expensive 5e rule books I bought are getting some use.
Faeries of the Faultlines is an art book available on Kickstarter that features Iris Compiet’s gorgeous, imaginative fairytale creations.
Esther Perel’s podcast, Where Should We Beginlets us listen in on her one-time marriage counselling sessions. You can listen to the first episode for free here.
Welcome to my first mini-series! I’ll be writing some short essays that take an intersectional feminist view of Wonder Woman over the next few weeks. Stay tuned!
I’m going to discuss the occasional presence, and notable silence of black women, and their role in Wonder Woman. I’ll focus on two black female characters; Diana’s sitter, and a black female warrior. These are the only black women that had any measure of importance in the film. I will not discuss any other women of colour as there were none that had any significance to the plot.
Although the Amazons of Wonder Women have existed in total seclusion, the white patriarchy has mysteriously crept in and pushed black women down in order to raise white women up. Who woulda thunk? Black Amazons do not have the privilege of the blank slate afforded by a society in theory unmarred by patriarchy. In their precious few appearances, they are regulated to supporting the white female leads. They are the nanny, raising Diana while the Queen is on official business. They are the powerful, muscular warriors that Diana defeats in order to show her own strength. These characters form the stepping stones for Diana’s character development, and as she leaves Themyscira, they fade into the background, forgotten both by Diana and the audience.
Certainly, caretakers have an important role in any child’s life. But not in Diana’s. Diana’s caretaker’s one line is to scream her name over, and over again, as she races all across town to recover her charge. It would have been so easy to include her as a valued part of Diana’s childhood. So many questions go unanswered – “How do her values and beliefs shape how she helps raise Diana? Does she agree with the Queen’s protectiveness? Does Diana continue to disrespect her throughout her childhood?”
But Wonder Woman is so much more deep than that. I must commend the creators of Wonder Woman for making the difficult, trailblazing (and of course, unexpected) choice to make a black woman’s existence revolve around a bratty white girl.
Thanks to the sacrifice of this vital black female character, Diana can truly shine. Diana’s rebellion shows hints at the tenacious, independent woman that Diana becomes. Her willingness to go her own way, even if it means forcing your minder to chase you across an island, foreshadows Diana’s bold move to leave the island, and the only home she’s ever known, in order to do what she thinks is right – whether that’s running away to do the training your mother forbids you from, or to take the destruction of Ares into your own hands.
Thank goodness the writers used, and then promptly discarded this black woman. Without the disrespect Diana shows her, how could she ever have any credibility as an independent thinker?
Wonder Woman‘s treatment of this sitter as subordinate to a white woman, and as being disrespected by Diana, mirrors the way black women have, and are being treated by US society at large. Black women are often silenced, used, and shut down. This is obvious in Diana’s sitter, who disappears as quickly as she appeared once she’s no longer useful. Black women are not allowed the complexity, or character development of their white counterparts. Tied in with the history of black women caring for white children, Wonder Woman repeats the mistakes of our white female past and present, by continuing to use black women as tools for our own gain. Whether it occurs in the form of cultural appropriation, gaslighting, or blatant racism, us white women continue to disrespect, ignore, and devalue black women and their personhood.
See Girussy by the Unfriendly Black Hotties for their thoughts.
I’ve been listening to The Emancipation of Mimi and 4 non-stop this month. When are Mimi and Bey going to collab tho?
Designated Survivor is a tense, fast-paced show concerning an alternate America where almost all of congress has been murdered in a terrorist attack, and one man with no political experience finds himself becoming president in the aftermath.
Chef’s Table profiles a different chef in each episode, from the eccentric (Magnus Nilsson – why do you want us to eat moss??) to those that actually seem to make good food (Ivan Orkin’s ramen dishes). As a latina, the chefs that really stuck out to me were Alex Atala, and Virgilio Martínez. Seeing their countries, and national cuisine being treated with such love, and care by these chefs was a wonderful change to the pitying narratives usually shown in the media.
I watched Perfect Blue after seeing Super Eyepatch Wolf’s video essay discussing it, and I was absolutely floored. If you like psychological thrillers, this is for you.
For fellow nerds that are currently stuck without a roleplaying group, I recommend The Adventure Zone – a podcat hosted the McElroy brothers, and their dad play D&D every other week.
Imrie and Satia are two black British women that host Melanin Millenials, a topical podcast packed with clever debate, sideeyes, and salt to taste.
Emma Donoghue’s 2010 novel Room explores the reality of a young boy, who has been trapped inside a single room with his mother for his entire life.
Imani Perry’s More Beautiful and More Terrible discusses the enduring anti-black racism of America, and encourages us to thoughtfully continue our activism.
bell hook’s seminal The Will to Change argues for the importance of including men, and boys (especially those of colour) in feminism in order for true progress to be made.
Ijeoma Oluo is an incisive, intersectional feminist writer. You can find her work here.
I’ve recently finished reading the Luna brothers’ Girls and Ultra comics – the storytelling is fascinating, even if the art tends to be flat.
Released in spring 2011 by Colibri Games, The Tiny Bang Story opens with a football meteorite has destroyed the planet (or at least its image) and shattered it into several pieces that you must recover throughout the course of the game.
I really enjoyed this game, but this was mainly for the elaborate search for the various puzzle pieces, and other items that are cunningly hidden. Especially later in game, the puzzle pieces would almost perfectly blend in with the scenery and required a fine-tooth comb to recover.
However, there were a couple inconsistencies in regards to the puzzle piece mechanics. While it would make sense that collecting each puzzle piece would be required to move onto the next level, and in some cases that hasn’t been my experience – perhaps because at that point I had already finished my first playthrough.
Additionally, some extra puzzle pieces can be collected in the final level without any actual effect on the game. Perhaps the creators thought that hiding several pieces would increase the probability of players finding them, especially when they are so well-camouflaged. But if so, why then make it possible to continue collecting the pieces after the quota has been reached?
For a puzzle game, there was an unfortunate lack of any puzzles that actually challenge the player.
Many of these were hit and miss, and could be easily solved with trial and error, such as the lightbulb puzzle, and balancing the suitcase weights.
The two minigames I especially disliked were these retro-inspired games within a game.
These were incredibly repetitive and dull. They really felt like cheap fillers amongst other puzzles and really detailed, interesting art.
Luckily I really enjoyed several of the puzzles, particularly those that required putting things together. While you could argue that these lego-style puzzles are as repetitive as the ones I harped on above, they continued to surprise where the mini-games are completely expected. The final piece in each was hidden in the hint image. While I should have known better the second time around, the game completely pulled the wool over my eyes and got me twice.
The Tiny Bang Story‘s soundtrack is bland, understated, and repetitive. Repetitive background music can be incredibly effective in making time pass and helping a player immerse themselves in the game. Just about everyAnimal Crossinggame and The Sims 2 did this really well.
See the difference? Something about The Sims 2 shopping themes helps completely immerse me in my home-renovation fantasy whereas The Tiny Bang Story soundtrack grates on me so much I usually completely mute it and listen to something else.
The art style was unique, varied, and intricate, which suits the investigative aspect of the game. Also, it made me really want to live inside a teapot.
I’ve noticed that characters didn’t always fit with their environments, especially in regards to the main character who looks creepy and out of place, especially when he was younger.
This game’s plot is largely non-existent, which is fine if, like me, you’re more interested in exploring the different levels.
Throughout each level, you watch the blonde man grow from a young child to an adult through the photos kept by who we can assume to be his family members. We finally see him for ourselves at the final level, having become powerful, and wealthy. But to what purpose?
The fact that you are on a journey around the world to track this man’s growth only becomes apparent at the end, and any argument that meeting his family members gives the game continuity falls flat when this cohesion has no actual effect upon the player’s experience of the game. I believe that the developers shoehorned this in in an attempt to give the game some purpose. But again, as this only becomes clear once the game is completed, The Tiny Bang Story is merely a hidden object game with little substance.
The only instance of intrigue (I hesitate to call it a plot point) is when the blonde man sits down with his family for tea, close to a wall where you can access previous puzzles. Sitting apart from the others is an elderly man we haven’t encountered elsewhere in the game. This mystery man is the only thing that leaves players wondering – who is he? And why is he alone?
Additionally, the meteorite hitting the planet isn’t used in the game for any other reason than to give an excuse to hide puzzle pieces. Why even bother with that prologue if you aren’t going to consider other effects that it would have on the planet and its inhabitants?
The Tiny Bang Story is an interesting enough hidden-object puzzle game that fails to draw the reader’s interest for any reason other than camouflaged puzzle pieces. Perhaps this explains why Calibri is yet to release another game.
The Tiny Bang Story is available on Steam, the Apple App Store, and Google Play.
Featured image is from The Tiny Bang Story’s Steam store page. Screenshots are my own unless otherwise stated.